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About Badagas ..in a 'nutshell'

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When you mention 'Badaga', the immediate thing that comes to mind, is a small but unique community of people, living in the Nilgiri Hills, popularly known as the Blue Mountains, in South India. Undoubtedly, they are one of the original hill tribes like the Todas, Kothas or Kurumas. But the shear development in many social [and  specially educational] fields by the Badagas in the last two hundred years or so, has made many researchers deny the tribal status. They, probably, are still stuck with the mind set that a tribe has to be shy, illiterate, undeveloped and living far away from the main stream population. Badagas do not fit into this groove.
Then, these 'learned' people, probably to get their doctorates, coined a new term - PRIMITIVE HILL TRIBES. It suited their purpose of not including Badagas in the PHT of the Nilgiris - Todas, Kothas, Kurumas and  Erulas.
But a few of the old and 'original' researchers found enough and more in Badagas, 'in their origin, customs, rites, rituals. life style and language' to write and record extensively about them. I would give the maximum 'credit' to Professor Paul Hockings in this respect. The very fact that he is still writing many books on and about Badagas [his latest book will be published in a few months] shows his interest. - Wg Cdr JP

Badaga TRIBE

haldorai 
Dr.R.K.Haldorai,M.A.,M.Ed,M.O.L.,PhD
[haldoraitamil@gmail.com]

This article by Dr.Haldorai expresses his views about Badagas
“A tribe, as we find in India is a collection of families or group of families, bearing a common name, which, as a rule does not denote any specific occupation, generally claiming common descent from a mythical or historical ancestor and occasionally from an animal, but in some parts of the country held together rather by the obligations of blood-feud than by the tradition of kinship, usually speaking the same language, and occupying, or claiming to occupy, a definite tract of country. A tribe is not necessarily endogamous” (The Imperial Gazetteer of India vol-1: 308).“The use of the word ‘tribal’ follows South Asian usage, refers to a type of societal organization and does not imply a lack of sophistication or of economic well- being. It usually does imply a certain amount of isolation in the past, if not the present. In this context ‘tribal’ contrasts with ‘caste’ as one of the major organizing principles of South Asian society. The Nilgiri plateau of extreme Western Tamil Nadu was almost totally isolated until the nineteenth century. It developed unique cultural complex of its own with at least four Dravidian languages spoken there. They are Toda, Kota, Badaga and Irula”( McAlpin 1981 :19).1As the Nilgiri hill is the home land for Badagas for a long period, the hill tribe status for these people is obviously natural one. There is no doubt that their history goes back to very early period. Since then they are identified with the Nilgiri hills alone. Their origin is buried among the secrets of the past.



Tribe versus Caste

“Today we find no castes in Badaga society” (Hockings, Paul 2005:4)2.

Badagas were not under the influence of caste system in any part of their history. In caste system a person’s social status was determined by his occupation. Although caste depended upon a person’s occupation it became hereditary in due course. So, it is inevitable to a person to live with an unalterable particular social status throughout his life. The traditional association between caste and occupation is far from dissolution. Badagas apparently changed their occupations to suit the environment. They never developed intrinsic bond with any particular occupation. It is to be noted that the very name Badaga itself is not derived from any occupation. In India, most of the caste names are derived from occupations. Badagas major occupations were food gathering, honey collecting, hunting, buffalo rearing, millet cultivation (that too swift cultivation for some time) , cash crop cultivation etc., Among these a particular occupation was predominant at a particular time. And also all the sub groups of Badaga community engaged the same occupation. Badaga population was very small up to the beginning of the twentieth century and they spread
over the entire Nilgiri plateau. In that case, for a long period there were very few families in a haTTi (hamlet)3 and all the families were descended from a same forefather. So, there was a social compulsion to venture occupations in common. The origin of the caste system in India is shrouded, but it seems, it originated some two thousand years ago. Caste system is associated with religion and people were categorized by their occupations. Badagas’ religious beliefs were primitive in nature, so the religious side of their social organisation was lacking to originate caste system
jaati (caste) is used in India specifies a subdivision of a larger division varna (a concept based on colour or race). The varna concept is entirely unknown to Badagas. To uphold caste system the reincarnation belief played a major role. According to that belief after each life a soul reborn into a new material forms. Badagas’ inclination towards ancestor worship is so strong. They do not have belief in the past and future births and do not have any idea about karma theory. One of the religious beliefs of Badagas is that all the dead are there in a particular place near mallaaDu, a western part of the Nilgiris, in astral bodies and the person who is going to die will join with them.4
Unlike the varna system divorce and widow remarriage are prevalent among Badagas.
Badagas do not suffer from any stigma of the kind the depressed castes do.

Tribal council
The Badaga tribal council is so powerful and it exercises considerable control over the community. Among Badagas the elementary unit of society is the mane (family). Children are important part of mane and they are treated with kindness and indulgence irrespective of their sex. Badagas have another wider unit called kuDumbu (consists of few families). Once production of food was a corporate responsibility of the extended family and it was the function of mane to see that food was economically used. Each kuDumbu has a doDDamane (a ceremonial house) which gets importance during festivals, marriages, deaths etc., All the disputes among the family members are tried at kuDumbu assembly. Few such kuDumbus exist in a haTTi (hamlet). Each haTTi has a doDDamane (ceremonial or principal house) and a ‘manda’ (council).
The village ‘manda’(council) plays an important role in shaping the society with moral standards. It is headed by a headman called ‘gavuDa’. Each village had its headman, who is assisted by few elders and decided public matters such as disputes, differences etc., The village ‘manda’ is there as not mere council for deliberation, but acted as a strong organ of executive work. There are three levels of headmanships viz., gottugaara (headman of an hatti,hamlet), gauNDikke (headman of an uur, a larger area, mostly consists of few or more hatties ), gauDa (headman of a siime ). These hierarchic levels show how the system is vogue vigorously and systematically. Unresolved disputes at kuDumbu level come to the village assembly and then to uur and then to naakkubeTTa (tribal assembly). The Badagas are divided in four naaDus or districts and are ruled by gavuDas, tribal chiefs.

Religion
Badagas’ religion seems to have been one of the very primitive types, predominance with ancestral worship. Badagas consider their ancestral houses as their temples. Special rites are performed in their ancestral house twice or thrice a year. Any Badaga can act as a priest but among the clan agnates. The essential features of ordination are abstain from meat eating for few days, preparing himself for poojas like taking bath in stream, sleeping at temple etc. Places of worship of Badagas and nature co-existed beautifully. There are nearly no devotees on ordinary days. But on the occasion of festivals which falls yearly once large numbers of devotees turn up. Their ancestor is known as devva (corrupt form of deyvam). The festival of devva is also the harvest festival of Badagas celebrated alike throughout the community. devva festival is a living tradition in which almost everyone in the village participate making it a real social thread connecting the entire society. devva still remains untouched and is performed year after year with unprecedented pomp and splendour. Because of the universality, it is firmly rooted in the religious faith and tradition.
In Badaga tradition juvikiNDi (water jar), ele kannaaDi (bronze mirror), jegaNDe (bell) represent the very deity itself and these articles get pooja once in a year that too on devva festival. Except this festival days rest throughout the year these articles are kept in a hidden place at forest.
Goddess hette, a prominent deity, worshipped by the Badagas of Nilgiri hills, is in reality an ancestor that has been deified. hette is a popular deity of local origin. There are fourteen known hettes worshipped and numerous rites and ceremonies centring on propitiation of goddess hette.
Badagas claim no divine origin for their religious beliefs. Their customs are mostly pragmatic and relevant to their day to day life. Their marriage customs also do not reveal any supernatural underpinnings. Badagas observe pollution and ritual purity in limited ways. The religious activities of the Badagas are very limited. They themselves perform the rituals.

Clan
Badagas are scattered widely over the hills and their hamlets amount to nearly four hundred in number. The whole people are closely connected by totemistic clans and intermarriages. The Badagas are endogamous tribe divided into exogamous clans. The clans are correlated not only with exogamy but also with totemism. Residences being patrilocal, the Badagas are patrilineal people. Patrilineal descent (or agnate) is descending from an ancestor down through a series of male links. Breach of the rule of clan exogamy is regarded as highly dangerous in so far as it entails disastrous socio-religious consequences. Inheritance of property takes place only through the male line. Hence the Badaga clans furnish a good example of social organization based on clans. Badagas have fifteen totemism clans after animals or material objects. People of a clan are agnates and hettappa, a common ancestor is the binder among a clan. The tribal scenario of India shows the prominent example of the clans. In consonance with that Badaga maintains its own exogamous clans through the ages. It is the exogamous character of a clan that makes it a distinctive group. Marriage is one of the causes for kinship relation.
According to F.Metz (1864) the Badagas recognise eighteen classes, each of which has its own peculiar characteristics. S.M.Natesa Sastri (1909) simplifies this into six septs. Paul Hockings (1980) identifies sixteen totemic clans among Badagas. They are 1. sooriya kola, 2.sandira kola,3. baraTa kola,4. brammma kola,5. beLLi kola, 6.selandi kola, 7.kooveeru kola,8. madure kola,9. kastuuri kola,10. mallige kola,11. anniya kola,12.maari kola, 13.madave kola,14. maaNikka kola,15.naaga kola and 16. saamandi kola. Totem and exogamous divisions do co-exist and totem is primary. It is obvious that the clans are the major criterion for identifying the Badaga groups and their totemic identifications also once popular.

Culture
Badaga culture was evolved in the Nilgiri hills and mainly under the stimulus of the Dravidian environment. Badagas had earned a reputation of being peace loving people as well as diligent workers. The nature of their hospitality is praised whoever had a chance to contact them. The hospitality of Badagas is unparalleled anywhere in India. Any family, however poor, will not allow you to leave without having at least a cup of tea.
Badaga funeral ceremony is complex. They consider performing the funeral of their kin, especially of elders is most important one and they tried to perform the funerals in traditional order with utmost care.
Badagas have their own lunar and solar time reckoning calendar.5 They are using their own instruments to measure grains.6Their food habits and recipes still hold distinctive character.
Badaga wedding is relatively simple with fewer rituals. As soon as bride enters to the bridegroom’s house with a pot full of water, the wedding got over. In olden days even the garland exchanging rituals between couple was not vogue. As per their tradition, the wedding costume is not grand. Simple white clothes are used for the wedding ceremony. Women have prime importance in wedding ceremonies. The mother-in-law welcomes her daughter-in-law by offering water for cleaning her feet. Dowry is unknown in Badaga marriage .They perform their own traditional rituals on puberty, house warming, birth etc.,
The un-sewn white garments worn by men and women vary widely from others and it stood as fundamental ingredients of cultural ethos.
Badagas evolved from humble family background. As one of the primitive traits the shyness of contact with the public at large is seen with them even today.
Folk-culture is so strong in the land. There is an unrecorded vast folk culture found in Badaga land. In fact this is the real treasure of this simple people. The roots of Badaga culture lie in its folklore. The fables of this peace loving people are inspiring. The songs and dance are enchanting. It has been a part of their lives unknowingly. The interesting part is, in Badaga dance that is not just the audience who enjoy the show the participants did as well. Dancing and singing were considered pastime for this tribal community. Badaga dance is in itself unique and interesting. Normally it falls into a pattern 1-2-3 steps. And then, they have to move according to the co-dancers. The music too represents the theme of rural life.
The popular game among the Badagas was hagaru, in which one bats a ball with a bat and others run and catch.
Badagas have their own tribal medicinal system.
Badagas have the system of patrilineal family descent. The lineage group is extended to include all those to be related through common descent forms a clan. Badagas have the tradition of naming their children with the names of their own grandparents. Due to this the proper names like booja, beLLa, kuLLa, kaaDe, maasi, micci etc., were so common among Badagas. In this way they paved the way to know the names of their ancestors up to the very ancient times.




Language
Badagas have a distinctive language of their own and it belongs to the Dravidian family of languages. The Badaga language is a dominant spoken language of the Nilgiri hills of Tamil Nadu. Although Badaga language is considered as uncultivated because of its lack of writing system and literature, it fully serves the purpose of Badagas. Study of the Badaga language is important from the point of view of the culture, habits and social attitudes of the Badagas. In Tamil Nadu, next to Tamils Badagas are the second largest linguistic group who speak indigenous language of the state. Badagas are unadulterated by outside influence for a long period. They retain many old and distinct features. Due to this Badaga language preserves many words that are archaic in Dravidian languages. A careful study of the Badaga words reveals to us much of the life and thought of the ancient Badagas. Language is a powerful mode of transmission of cultures. So the language factor is also a basic factor for considering tribal status. Most of the tribes in India are bilinguals. But as an exception to this Badagas were monolinguals comparatively for a longer period. Once lingua franca of the Nilgiris plateau was Badaga and there was no major language within their reach. However bilingualism is seen with the present generation.
Foot-note
1. David W.McAlpin, 1981, Proto-Elamo-Dravidian, The evidence and its Implications ,The American Philosophical Society, Philadelphia.
2. Hockings, Paul, 2005,Badaga Kinship rules in their socio-economic context, Anthropos vol-77, HRAF Publication Information, New Haven Conn
Hockings,Paul is a well known Anthropologist who did extensive study on Badaga.
3. The name haTTi derives the old world paTTi which means cattle (buffalo) pen.
4. This belief is expressed apparently in one of their death ceremonies called ‘battaarsikkoodu’(praying with saamay).In that ritual an elder agnate recites as ‘indu satta aNNa or tamma or ...beTTuno, peeruno, gumbuno, goDano elli iddaleyu jaati janava kooDa seerali endu battaarsikkiniyo(The dead one may wander around a hill or in a marshland or in a thicket or in a gorge. Wherever he/she is, we pray for his/her safe journey to join with his/her people). The ballads like koolitippe and haTTitippe narrate this concept elaborately.
5. kuuDalu, aalani, nallaani, aani, aadire, peeraaDi, aavaaNi, perattaadi, doDDadiivige, kirudiivige, tay, and emmaaTTi are Badaga months.
6. maana (half litre), paDi (two mana), kooga (five paDi ), makkiri (four kooga or twenty paDi), kaNDuga (twenty kooga or five makkiri), balla (four kaNDuga or twenty makkiri).

A book by Ari Jayaprakash

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A book by ARI JAYAPRAKASH - great grandson of Rao Bahadur Ari Gowder

Buy Kuru Genesis

Kuru Genesis

(Paperback)
Publisher: The Kuru Press (2013)
Rs. 1499Rs. 1124 (25% Off) Inclusive of taxes
available online Flipkart.com: Online Shopping India

Kuru

Kuru Genesis serves as a prelude to the upcoming novellascape 'The Kuru Chronicles' which releases later this year. The book includes chapters, panels,concept art, visions and words behind the KuruChronicles.It features the art and philosophy behind the chronicles from the four books of Kuru; Nasadiya, Soma, Aghora and Yuga.
The Kuru journey involved expeditions to The Ganga Sagar Mela in Bengal, The Ambubachi Mela at Kamakhya, Assam, Tanjore, Calcutta and a lot of other places. The city of Calcutta, where the artist - ARI JAYAPRAKASH lived for years and where the story is set serves as a major inspiration. The original art of The Kuru Chronicles traveled the length and breadth of India across various music and art festivals including venues at Rishikesh, New Delhi, Bangalore, Bombay, Calcutta, Madras, Naukuchiatal amongst others. The art of Kuru is not your standard graphic novel offering. The style is splash ink art on paper that has been treated with tea and coffee. In the end the paper edges are burnt as offerings to Agni and sometimes additional shading is done using fire and water. Materials include A3 size drawing sheets, black/red ink and a calligraphy pen.

 "It is Ari's avant-garde art and the Tantric theme which inspired me to write the article. He also became the first Indian artist to be featured on Heathen Harvest! - Ankit Sinha"

click the link below :
http://heathenharvest.org/2013/03/17/kuru-chronicles-the-occult-art-of-ari-jayaprakash/

Article 2

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Badaga Calendar -2013



Third Month - NALLAANI [Mar-Apr]
BadCal Nallani


First Month - KOODALU
Badaga Calendar 2013
Second Month - AALAANI
Aalaani
Like in any other calendar, there are 12 months and each month starts on the 10th of English Calendar month but for a few exceptions due to the fact that the month of Feb has 28/29 days [leap year].
I have attempted to make the Badaga Calendars for 2013 keeping in mind that a Badaga month should start on the 10th of an English month as far as possible and also to ensure that the number of days in a month is either 30 or 31 days.
Since Badagas consider ‘Sovara’ (Monday) as the most auspicious and ‘holy’ day, they have attached a lot of importance to that day. Generally, no non-vegetarian food is taken on Mondays. This is also the weekly holiday and hence shown on top in red colour. No ‘Hola Gelcha’[field work] is usually done on ‘sovara’s in olden days.
The biggest festival of Badagas is day-specific and not date-specific. That is to say that this festival – HETHE HABBA – always falls on a Monday [after the first Monday of the thirteenth fullmoon]. By the way,full Moon (‘Pournami’ in Tamil) is ‘HUNNAVE’ and New Moon is ‘MUTTU’ in Badaga.
Badaga Months
1)Koodalu, 2)Aalaani 3)Nallaani 4)Aani 5)Aadire 6)Aadi 7)Aavaani 8 )Perattaadhi 9)Dhodda Devige 10)Kiru Devige 11)Thai 12)Hemmatti
Badaga Months in 'Kappu Huttileyu' Dance Song
[soundcloud url="http://api.soundcloud.com/playlists/475353" params="" width="75%" height="150" iframe="true" /]
The more I listen to the dance song 'Kappu Huttileyu', the more fascinated I become. All the 12 Badaga months starting with KOODALU, are beautifully integrated within the song.The lyrics of the song go like this:-
Kappu huttileyu neppuna sundari,
Oppi hegileyu dhrachiya mundari
Kappu huttile naa hathuna notta dha, Keppu na huttile ondhuna notta tha
Thatti beetha sileyu nee edhega, Kottu beetha hennu naa edhaga Muthu muthu mookathiga sokki hodhane, netti niddane Sothu pathu neetha endhu kaathundhu endhe dha, matha hegu dha, madhuvaya matha hegudha, KOODALU thinguvana koodile singarene , AALAANI thinguvatha aa aagi varasha mamma , NALLANI go kollaandhu hega beda, , AANI huttidha mele badhila hegine baa mamma , AADHIRE jena nodi bae thumbi maathaadu , AADI mudidha mele ododi bannane mamma,AAVANI yo ge dhaavani singarava , Arattu perattu aara PERATTASI thinguvadha,DODDA DIVIGEYA dodda kiru edhega, KIRU DIVIGEYA siri devi aagi banne , THAI mae thalaiga thatti kai yoda aatta paatta. HEMMATTI ebbaneyu aemaathithindhu hoga beda ,
Thatti beetha sileyu nee edhaga ,
Kottu beetha hennu naa edhega!
Listen to the song here
[soundcloud url="http://api.soundcloud.com/playlists/475353" params="" width="50%" height="150" iframe="true" /]
கப்பு ஹுட்டிலெயு நெப்புன சுந்தரி,
ஓப்பி ஹெகிலெயு திரசிய முந்தரி கப்பு ஹுட்டிலே நா ஹத்துன நோட்ட த, கெப்பு ந ஹுட்டிலே ஒந்துன நோட்ட த
தட்டி பீத்த செலெயு நீ எதெக,
கொட்டு பீத்த ஹெண்ணு நா எதக முத்து முத்து மூக்கத்திக சொக்கி ஹொதனே,நெட்டி நித்தனெ ஸொத்து பத்து நீத்த எந்து காத்துண்டு இந்தெ த, மாத்த ஹேகு த, மதுவய மத்த ஹெகுத,
கூடலு திங்குவன கூடிலே சிங்காரெனெ,
ஆலாணி திங்குவத ஆ ஆகி வரஷ மம்ம, நல்லானி கொ கொள்ளாந்து ஹேக பேட, ஆணீ ஹுட்டித மேலே பதில ஹெகினே பா மம்ம,
ஆதிரே ஜென நோடி பே தும்பி மாத்தாடு ,
ஆடி முடித மேலே ஓடோடி பன்னனே மம்ம, ஆவாணி யொகே தாவணி சிங்கரவ, அரட்டு பெரட்டு ஆர பெரட்டாதி திங்குவத,
தொட்ட தீவிகியொ தொட்ட கிரு எதெக,
கிரு தீவிகியொ சிரி தேவி ஆகி பன்னே, தை மே தலைக தட்டி கை யோட ஆட்ட பாட்ட.
எம்மாட்டி எப்பனேயு ஏமாத்திதிண்டு ஹோக பேட,
தட்டி பீத்த சிலெயு நீ எதக ,
கொட்டு பீத்த ஹெண்ணு நா எதெக
[I am aware that there is always a slip between the cup and the lip and some errors could have crept into this attempt. May I request all those interested to keep up our great traditions to write in their comments and suggestions so that improvements can be incorporated].

Are we still living in the stone age?

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Are we still living in the stone age?
UPDATE ; 28-3-2013 29-3-2013
Usually, I am careful about publishing letters/incidents like the one sent to me by ARUN [given below in the post 'Are we still living in the stone age?']. He never mentioned his hatti and the country he is living in….
…………..Unfortunately, now I am told that there is a BIG TWIST to the story. ……….. I also understand that his deceased mother would not participate in other functions of the hatti and during funerals, she would not take part but lock herself in……
As I have mentioned elsewhere, I am a proud Hindu. And the customs followed by the hattis during the funerals, is based on Hinduism.
In my opinion, it is nice of Arun’s hatti elders to forgive the past mistakes and give a decent burial to his mother AS PER BADAGA RITES though there was considerable delay.
Arun, I know that you live in NZ, and if you want to clarify please do so.
Wg Cdr JP
Dr.S.Mahesh Babu
commented on Update on ‘Are we still living in the stone age?’

Dear JP Sir,

Thanks for the info you have updated. It’s really good of you to have traced the truth and let us know. As you have discussed, let the hatti people of Arun decide this issue.
It will be better to convene some useful meetings amongst us to discuss further on these issues for the betterment of our community. Let us work together.


[The post on 'Are we still living in the stone age?' based on ARUN's letter is withdrawn - Wg Cdr JP]

 






Who is a BADAGA?

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Who is a BADAGA?

Do not take this question lightly, for this affects our lives - now and in  future.

A Badaga  who marries a NON – Badaga,  is he/she STILL a Badaga??
Can a Badaga be put ‘down’ and ‘condemned’ for life, just because he/she has/had married a non-Badaga???

By the way, WHO decides who is a Badaga???

What is the so called ’Badaga Associations’ in the major cities which is filled up with almost 100% literate Badagas doing about  bringing SOCIAL AWARENESS and eliminating the stigma  attached to ‘married outside’ Badagas??

Are we so scarred that just because a handful of Badagas marry outside, our culture and customs are in a position of peril??

When we have no hesitation to acclaim the achievements of Badagas in all fields [even when a spouse is non Badaga] and seek donation for the hattis -for building temples and other social causes, why this ‘heads stuck in the sand’ mentality ???

We may have some restrictions imposed on certain and specific rites like in funeral, but should not deny or denigrate  the dignity to those who are very much our ‘blood and flesh’.

We are considered to be very forward looking by many ‘social’ indicators and should not squander that with narrow mindedness.

Think about it.

Henry Marriott from Australia writes....

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Henry Marriott from Australia

It is always a pleasure to get emails from visitors to this website expressing their association with the Nilgiris and/or Badagas many many years ago. In their views and opinions, we learn a lot. If one such visitor is a person who is comparatively ‘young at heart’ and wise by age, then we are in for pleasant surprises.

One such person is Henry Marriott from Australia. Henry is 80 years young.
I am fascinated about the suggestion he makes about ‘the statement a Seemay Gowda can make about Badaga ancestors in any function like what the aborigines do in Australia.
I thank him for permitting his emails to be published. – Wg Cdr JP
Henry Marriott writes :-"I have been studying some articles on the Badaga peoples, who I am convinced are of European or Aryan descent as they belong to the R1a1 haplogroup (but it is necessary to assign the correct clade to these people as confirmation). It is thought that as Badaga means “people of the north” they are from Karnataka, and their language is a form of ancient Kannada. In fact it is believed they migrated from there in the fourteen hundreds, but now it is also believed that this could have been a second migration.
But there is also the belief that they are the indigenous people of the Nilgiris (or Nakku Betta to the Badagas). If this is the case, then as in In Australia at any function in Ketti (a hatti in the seemay of Mekkunaadu) the MC should commence proceedings with a statement in a form such as this:
 “I would like to acknowledge the Badaga people who are the traditional custodians of Mekkunaadu and I would also like to pay respect to the elders past and present of the Badaga nation and extend that respect to other Aboriginal people present.”
 I was educated in Ketti in the 1940s, and still have contact with St Georges School.I was born in Sri Lanka and was educated at St Georges from 1940 to 1950. I then did further studies at MCC Tambaram . I then went to England where after National Service I qualified as a Chartered Accountant. I have now retired and live in Melbourne.During my time in Ketti I had no contact with Badagas in school apart from school servants and the women who worked in the surrounding fields. We also attended at the Shantoor Temple to observe the Hubba and fire walking, which coincided with the Christian Palm Sunday (a week before Easter). I am now 80 years old".

Greatly appreciated

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I found the following information given by E.B.Hariharan very interesting and educative. The initiatives and efforts of Badaga Mahajana Sangha are greatly appreciated. 

This article/info raises some hitherto unknown facts. Was there a ‘reverse migration’ of Badagas from the Nilgiris to the plains [of Karnataka]? Apart from the four [Nilgiri Nakkubetta] Seemays known to us, Mel Seemay seems a completely new and geographically different one.

Of course, we have all heard of Hasanur but not much about Punajanur and other Badaga Hamlets in Chamrajnagara. The famous Badaga Proverb [Dhoddaru Shloka] – “Hasanuru haalu kudippudhuga, Neelagiria neera kudi (The water in the Nilgiris is better than the milk of Hasanur)”- Wg Cdr JP

Punajanur and Mel Seemey.

Punajanur is a Badaga Village, about 45-50 Kms from Chamrajnagar town, falling within Karnataka State, Chamrajnagar Taluk and District. It has got about 50 Badaga houses and about 15 Wodeya houses (Lingayat Clan). Some other castes like Nayaks and others live nearby as well.

All the Badagas in Punajanur trace their heritage to Ebbanad and Kookal villages in the Nilgiris, a few of them are from Kadanad and Kottanalli as well. 300-400 years ago they moved from the Nilgiris and settled there, in search of better pasture for their Buffalo herds. Life was good until the last 15-20 years, their main source of income was supplying milk to the Co-operative milk societies, mainly NANDINI in Karnataka. After Veerappan issue cropped up, the people were stopped from grazing their herds at HEMMATTIES (in Badugu meaning Buffalo Grazing Villages) and most of them were sold. Thus started their economic decline. Their overall socio-economic condition is in bad shape, education is at abysmal levels, health is an area of serious concern. In our view, they seem to be atleast 30-40 years behind mainland (Nilgiri) Badagas. Hence, we, a group of volunteers across varied age groups having genuine love towards the Community, decided to take up the challenge and work for the betterment of our own people in Punajanur.

Similar to Punajanur, there are 8 small villages in an area called as Mel Seemey which is about 40 Kms from Punajanur, but falling under Erode District, Sathyamangalam Taluk, Hasanur Panchayat of Tamilnadu. Mel Seemey has about 200 houses in total and our work is going there in full swing. We have successfully paved the way for upgrading the school in Kotada (The biggest village with 80 houses in Mel Seemey) upto High School level (10th Std) spending Rs.100000/- (One Lakh), helped change the bus timings for the school going children, created a pool of Rs.300000/- (Three Lakhs) towards agricultural funding at no interest. We paved the way for 3 young students to join an Engineering Degree with full fee waiver for all 4 years of their study. We successfully conducted a medical camp in both Punajanur and Mel Seemey on 28/04/13 for the benefit of our people residing there in association with KBGA Bangalore. Four prominent doctors conducted a marathon medical test for nearly 300 people in one single day.

There is much more to be done and we are moving one step at a time. Together, we believe we can do wonders……..

General Election for Badagas

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Read in the news papers about the announcement of General Body Meeting on 21-07-2013 of the Young Badaga Association and elect NEW office bearers. This General Body Meeting is being held after many years, in fact many decades, instead of being an annual affair.
Hope this Young Badaga Association will elect really new apolitical, young and dynamic Badagas instead of the same old elders who claim to be 'forever young'.
By the way, why can't we have a great and grand meeting of all Badagas, spread all over the world, on the same day to elect a NAKKU BETTA GOWDA [leader] in a truly 100% democratic way like in a general election?
Is it not high time?
Deepak from Nanjanadu asks :
At my age I am not very well aware of the BADAGA GENERAL BODY or the politics.After the scrutiny of our website I am in a doubt whether such a mass election is possible.If so then who will undertake such an enormous election.Well if happened, I will be very glad for such happening.

Hello Deepak, good questions. There are two issues involved here.
One is about YBA - Young Badagas Association that was formed some 50 odd years back with a few hundred members and now, as per THE HINDU, there are about 3800 members. It was started with some very good intentions aimed at improving and enlarging awareness of ALL Badagas and for better interaction with other communities. YBA successfully obtained land at a prime place at Ooty, next to Breeks School, Charring Cross and built a hall with a a few shops. This hall is being rented out for marriages and other functions.

As is the case with most of our affairs, politics crept into running the association; many factions emerged and there were/are serious allegations of financial irregularities. Annual General Body Meetings [AGM] were not held and it became a 'personal fiefdom' of some persons with affiliation to a particular political party. Over a period of time, it resulted in many factional fights and took some ugly turns and police had to intervene. The recent one being as late as 24-5-2013. Truly shameful.

The million dollar question is - who is the governing body of YBA now? In the absence of AGMs, can some people elected decades ago, claim to be the true representatives of Badagas in general and

YBA in particular and hold on to the chairs for ever?
In that respect, I welcome the announcement of the much delayed meeting to be held in July. Only hope is that, this meeting will be held in cordial atmosphere and elections held in a democratic way.
Again the doubt is, whether there is a proper record of the members? If so, YBA should come out with a list in the open - news papers or online in a website.

Since, YBA does not seem to have a website of its own, I can publish the list of members in my websites like www.badaga.co, www.badaga.in etc. if it is sent.

Lastly, what is the criteria for becoming a member of YBA and its rules and regulations?
The second issue involves in conducting a sort of General Election for choosing a Nakku Betta Leader - will write about that in detail soon.

You are always in our thoughts !

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GONE BUT NOT FORGOTTEN
Second Death Anniversary (13-7-2013)
Idyammal Bellie Gowder
You were everything for us in all those glorious 99 years and 10 months when you were 'here'.
As we were preparing to celebrate the 'century', you chose to leave this earth just a couple of months earlier...two years  ago.
How time flies!
Elle idhale'yu engava harachu
[Bless us all from where ever you are]
MOM 5.jpgIdyammal Bellie Gowder
BornSeptember 05, 1912 Hubbathalai, The Nilgiris
DiedJuly 13, 2011 (aged 99 years 10 months)
ParentsRao Bahadue HJ Bellie Gowder and Nanji Hethe
Sister ofRao Bahadur HB Ari Gowder
SpouseB.K.Bellie Gowder [Bearhatti]

[Autographed pencil sketch of Mom by JP in 1964 while she was reading an issue of Femina ]
"I know my mother looks much older than what she is but those wrinkles have the charm of their own. They indicate the signs of her great endurance; and the hard life she has to lead through to bring her children to lead a life that is respected and regarded by others" - JP 24-1-68
Dear Hands
[Grace Noll Crowell]
My mother's hands were beautiful, They are not always smooth and white They were so busy making dull And lusterless things clean and bright.
They reached so often to caress A hurt child crying in the night They moved as quick as fluttering birds Among the cups and spoons at tea
They did a thousand lovely things And did them all so graciously There is no way to sum them up The countless things she did for us.
[photo of Idy Hethe's hand by her grandson Abhi Ari -2010]

Ari of KURU CHRONICLES, we are proud of you!

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[Article published in THE HINDU, Bangalore Metro Plus 18 July 2013]
Ari Jayaprakash is the great grandson of Rao Bahadur HB Ari Gowder and grandson of Mrs.Idyammal Bellie Gowder
Abhi
VISUAL EFFECTS, TO CONCEPT ARTIST TO ILLUSTRATOR AND EVEN AN ILLUSTRATOR And now Kuru Chronicles, says Ari
Ari Jayaprakash Kuru Chronicles to be released shortly has a lot of tantric influences. The artiste tells Preeti Zachariah the book is for a mature reader
Spatters of black ink across thick paper with charred edges and sepia tones unravel into a story. A story of a dysfunctional, morbid word plagued by death, disease, destruction, vices and suffering. Barriers crumble, beliefs disappear, insanity becomes a spectrum not a border, darkness is allowed to not just permeate but flourish. Nothing remains sacred or perhaps everything is.
But for artist and photographer, Ari Jayprakash who has created the Kuru Chronicles (which derives its name from a disease affecting cannibals when they consume human brain matter) in collaboration with writer Anisha Sridhar, this is nothing more than an artistic expression of an interesting form of spirituality, “We knew there was stuff here that may make people uncomfortable but we will stick to that,” he says, rather vehemently. “Freedom of thought and expression is an essential aspect of artistic evolution and we have restricted ourselves too long.” He believes however, that this is changing for the better, “People are beginning to push boundaries. I think India will produce a lot of interesting art, music, dance and theatre over the next few years,” he adds.
His own artwork (he refers to it as Kuru art) certainly not just pushes boundaries but tramples all over them, leaving the viewer too enthralled to even notice that they existed in the first place. “Kuru uses black ink done mainly with a calligraphy pen. At the end of the execution the pictures are burnt. The burning was done as an offering to the fire God and also because it gives it an old rustic sort of look and an interesting shading.”
Ari, a self-taught artist has dabbled in various forms of visual art as long as he remembers, “I have done different things in my career. I’ve done visual effects, worked as a concept artist and even an illustrator. I do a lot of photography and was a photographer for sometime in Boston and New York,” he says adding that his tryst with photography helped him in Kuru art. “A lot of the photographs got translated into drawing. I do a lot of digital manipulation; it gives photographs an abstract, surreal feel.”
Talking about the origin of Kuru, he says, “It all began December 2010. I was watching a documentary on Kuru on TV and met a few aghoris at the Ganga Sagar mela later that year and then I read Svobodha’s Aghora. One thing lead to another and what happened was the chapter names came up one night. I had no idea what were in the chapters and what it was going to be about. I didn’t know it would be called the Kuru chronicles. But obviously these things were at the back of my head subconsciously and seven drawings of abstract faces came out one night in Calcutta. I don’t know who they were but I know it had to fit into the story somewhere.”
It was a friend who ran a festival at Bombay who invited him to display his work there, “People liked what they saw and over time I developed more art work. Over a couple of years a substantial amount of work came out, around 800 pages — four books, 26 chapters.”
The story, which is set mostly in a dystopian version of Calcutta follows the lives of five characters —Dakini, Sen, Kala Hari, Shivali and Devika, “Kuru begins with the five of them and also kind of ends with them,” says Ari adding that Kuru spans a 17-year period. “They are all in their late teens when it begins. Dakini is the protagonist of the Kuru Chronicles and this is more or less her journey and evolution. There is complete disintegration all around her and she basically needs to keep it all together. ”
The book is certainly not for the faint-hearted however, “It is for a mature reader. All the philosophy is from the left hand path. It has a lot of tantric influences and magic. The Rig Veda was another big influence. A lot of dark themes are touched upon — cannibalism, rape, graphic sexuality, violence, modern-day issues like police brutality, attitudes and reflection on capitalism and communism,” says Ari, adding that, “Kuru is totally a work of fiction. It is dedicated to the Gods, the city of Calcutta, to Ma Durga — all of that. It takes from the scriptures and borrows from the Vedas but its modern day tale.”
In addition to the Vedas, “There is an Aghori influence and also influences from the Kalki Purana, Upanishads. I also read a book called Aghora: At the Left Hand of God by Robert E. Svoboda. I went out there; got to know more about the aghoris, spoke to some of them. There is also a lot of modern influence — varies from Pink Floyd to Michael Haneke to Lars von Trier and Takashi Miike, Japanese anime, heavy metal music,” he says.
The book, which is self-published, is slated to be released at the New York comicon later this year and Ari hopes to translate it into different languages and also attempt a psychedelic coloured Japanese version, “I have travelled to festivals all over the country with my art. I must say, people have been very supportive.”
He has recently come out with the Kuru circus — a haunting, ethereal track that seeks to explore the sound scape of the Kuru Chronicles and is also looking at a cinematic translation of Kuru.
It certainly seems that for Ari, there is no looking back. “Working on this project has over times changed my own ideas and Kuru is at some level definitely an expression of my own spiritual leanings. I am not the same person who I was when I started the book.”
Photos: Sreenivasa Murthy V.

Ari, a self-taught artist has dabbled in various forms of visual art as long as he remembers, “I have done different things in my career. I’ve done visual effects, worked as a concept artist and even an illustrator. I do a lot of photography and was a photographer for sometime in Boston and New York,” he says adding that his tryst with photography helped him in Kuru art. “A lot of the photographs got translated into drawing. I do a lot of digital manipulation; it gives photographs an abstract, surreal feel.”
Talking about the origin of Kuru, he says, “It all began December 2010. I was watching a documentary on Kuru on TV and met a few aghoris at the Ganga Sagar mela later that year and then I read Svobodha’s Aghora . One thing lead to another and what happened was the chapter names came up one night. I had no idea what were in the chapters and what it was going to be about. I didn’t know it would be called the Kuru chronicles. But obviously these things were at the back of my head subconsciously and seven drawings of abstract faces came out one night in Calcutta. I don’t know who they were but I know it had to fit into the story somewhere.”
It was a friend who ran a festival at Bombay who invited him to display his work there, “People liked what they saw and over time I developed more art work. Over a couple of years a substantial amount of work came out, around 800 pages — four books, 26 chapters.”
The story, which is set mostly in a dystopian version of Calcutta follows the lives of five characters —Dakini, Sen, Kala Hari, Shivali and Devika, “Kuru begins with the five of them and also kind of ends with them,” says Ari adding that Kuru spans a 17-year period. “They are all in their late teens when it begins. Dakini is the protagonist of the Kuru Chronicles and this is more or less her journey and evolution. There is complete disintegration all around her and she basically needs to keep it all together. ”
The book is certainly not for the faint-hearted however, “It is for a mature reader. All the philosophy is from the left hand path. It has a lot of tantric influences and magic. The Rig Veda was another big influence. A lot of dark themes are touched upon — cannibalism, rape, graphic sexuality, violence, modern-day issues like police brutality, attitudes and reflection on capitalism and communism,” says Ari, adding that, “Kuru is totally a work of fiction. It is dedicated to the Gods, the city of Calcutta, to Ma Durga — all of that. It takes from the scriptures and borrows from the Vedas but its modern day tale.”
In addition to the Vedas, “There is an Aghori influence and also influences from the Kalki Purana, Upanishads. I also read a book called Aghora: At the Left Hand of God by Robert E. Svoboda. I went out there; got to know more about the aghoris, spoke to some of them. There is also a lot of modern influence — varies from Pink Floyd to Michael Haneke to Lars von Trier and Takashi Miike, Japanese anime, heavy metal music,” he says.
The book, which is self-published, is slated to be released at the New York comicon later this year and Ari hopes to translate it into different languages and also attempt a psychedelic coloured Japanese version, “I have travelled to festivals all over the country with my art. I must say, people have been very supportive.”
He has recently come out with the Kuru circus — a haunting, ethereal track that seeks to explore the sound scape of the Kuru Chronicles and is also looking at a cinematic translation of Kuru.
It certainly seems that for Ari, there is no looking back. “Working on this project has over times changed my own ideas and Kuru is at some level definitely an expression of my own spiritual leanings. I am not the same person who I was when I started the book.”

YBA - Young Badaga Association

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YBA - the NOT so Young Badaga Association, is in the news for all the wrong reasons. News papers report about the factional fights, lodging FIRs after skirmishes between groups etc thus making us - 'the silent majority of Badagas', to hold our heads in shame.

The so called 'present' body or the managing committee is not an elected one of the recent past. Not aware how many years back, they got 'elected'. For obvious and not so obvious reasons they do not want to 'leave their chairs'. but have called for 'elections' on the 12th Aug 2013.. The other faction claims that the 'elections are not going to be free and fair and manipulations to elect the 'chosen' few have been already done.

It appears that the association that is expected to be APOLITICAL is precisely divided on 'part' lines.
Why can't we have a proper election in which EACH and EVERY Badaga- from both genders - vote to select a 'team' that can represent all Badagas from all the Seemays and wherever they stay at present [I am including all the Badagas from around the globe]. If required, they can pay a nominal fee and become members of YBA so that they are eligible to vote.

In the interim, non controversial persons like Sundradevan I.A.S, T.Gopal, Entrepreneur  [Mel Bikkatty] or B.Balasubramaniam, author of 'Paame' can take control of the affairs of YBA and take necessary steps to 'conduct' a proper but a sort of grand GENERAL ELECTIONS to select  a truely representative managing committee of all Badagas. There could be many eminent Badagas [who may not be known to me] but can be included in the 'interim arrangement'. I must confess that I have not spoken to the above mentioned persons about this but they came to mind spontaneously.

URI [jealousy] is in our DNA but can we not try for SIRI [happiness]? Can't Badagas be ever UNITED and speak in one voice??

An appeal to the people of Nanjanadu Hatti

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Nanjanadu hatti, probably, is the biggest hatti of Badagas. More than a thousand houses.

100_6860

I visited this hatti a couple of days back to attend the funeral of a close relative.

What shocked me is the fact that there are two factions in this hatti and one faction does not attend the functions of another. It appears that the deep division among families, the fathers, mothers, brothers and sisters took place due to a dispute about the SHIVA temple which is located at the very entrance of the village.

We have always believed that FAITH in the ALMIGHTY unites the people. How can GOD be the reason for division? How can the people of this great hatti let such a thing happen and seek justice in the higher courts of Justice when, with a simple act of give and take, the issue can be resolved within minutes?

Is it not high time that the educated youngsters of Nanjanadu take the initiative to bring back harmony to this beautiful place? A few days back, I had published a new post "... finding the 18th camel (see below)" in which I had highlighted the need to find a 'common ground'.

Can we NOT find the common ground right in front of the SHIVA Temple which remains locked? You, the people of Nanjadu Hatti, will you listen to this appeal to unite? Will you invite the people of Nakkubetta to a grand function of unification very soon??
~~~~~~~~~~~~~~~~~~~~~~~~

Do you know that the maximum number of court cases pending in the Nilgiris, yes, our great Nakku Betta, are filed by Badagas . No points for guessing that these cases are mostly among/against relatives involving property - 'sothu'.
How great it will be if we can find the '18th camel' as mentioned in the following story and solve our problems!
A father left 17 camels as an asset for his three sons.
When the father passed away, his sons opened up the will. The Will of the father stated that the eldest son should get half of 17 camels while the middle son should be given 1/3rd (one-third).The youngest son should be given 1/9th (one-ninth) of the 17 camels.
As it is not possible to divide 17 into half or 17 by 3 or 17 by 9, three sons started to fight with each other.
So, the three sons decided to go to a wise man. The wise man listened patiently about the Will. The wise man, after giving this thought, brought one camel of his own and added the same to 17. That increased the total to 18 camels.
Now, he started reading the deceased father’s will. Half of 18 = 9. So he gave the eldest son 9 camels. 1/3rd of 18 = 6. So he gave the middle son 6 camels. 1/9th of 18 = 2. So he gave the youngest son 2 camels.
Now add this up: 9 plus 6 plus 2 is 17 and this leaves one camel, which the wise man took back.
MORAL: The attitude of negotiation and problem solving is to find the 18th camel i.e. the common ground. Once a person is able to find the common ground, the issue is resolved. It is difficult at times. However, to reach a solution, the first step is to believe that there is a solution. If we think that there is no solution, we won’t be able to reach any! If you liked this story… please share with friends, family and children… You might spark a thought, inspire and possibly change a life forever!!
[this story wasrecd as a fwd email]

Happy Diwali !

Hethe Habba is on the 23rd December,2013

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Hethe Habba


HH
The next

HETHE HABBA

is on the
23rd December, 2013 [Monday]
Dec 13
HETHAI HABBA’ is the biggest festival of Badagas!
Hethe Habba is always on the first MONDAY (SOVARA), the most sacred day for Badagas, after the full moon (paurnami – HUNNAWAY ) that falls in Badaga Hemmatti month, (Tamil – Margazhi month), that is the 9th day after eight days of ‘Kolu’. This year [2013] the Hethe Habba was celebrated on 8 Jan 2007will be celebrated on 27 Dec 2010   will be celebrated on 31 Dec 2012 23 Dec 2013.
Hethe Amma, the purest one, in your blessings lie our well being !
Madekke mannoondha aaleyu, adhu thirigi mannoo aagha
[Even though a pot has been made out of clay, it cannot become clay again]
Thuppa benne endha aaleyu, adhu thirigi benne aagha
[Clarified butter (nei in Tamil), though made out of butter, cannot become butter again]
Jenu hoo endha aaleyu, adhu thirigi hoo aagha,
[Honey, that comes from flowers, cannot become flowers again]
Holladha vakka Hethe Mane ga hodha maele, thirigi holladhavakka aagharu
[After going to Hethai Temple, 'bad' people cannot remain bad]

Ari Gowda, a great Indian, a great Badaga !

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Rao Bahadur H.B.Ari Gowder

Birth anniversary 4th December
Ari Gowder2 
 
For more details about Ari Gowda go here or see Wikipedia
 
Ari Gauda 
 
[ Ref : Hockings, Paul; Christiane Pilot-Raichoor (1992). A Badaga-English Dictionary. Walter de Gruyter. p. 47. ISBN 311012677X, ISBN 978-3-11-012677-8]
 
Ariya_Gowda_road_1069606f
 
Air Gowder Street in Mambalam, Chennai

happy New Year

Golden words of Gautama Buddha

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DO NOT BELIEVE IN ANYTHING [SIMPLY] BECAUSE YOU HAVE HEARD IT.

 

—DO NOT BELIEVE IN TRADITIONS BECAUSE THEY HAVE BEEN HANDED DOWN FOR MANY GENERATIONS.

 

DO NOT BELIEVE IN ANYTHING BECAUSE IT IS SPOKEN AND RUMOURED BY MANY.

 

—DO NOT BELIEVE IN ANYTHING SIMPLY BECAUSE IT IS FOUND WRITTEN IN YOUR RELIGIOUS BOOKS.

 

—DO NOT BELIEVE IN ANYTHING MERELY ON THE AUTHORITY OF YOUR TEACHERS AND ELDERS…

 

—BUT AFTER OBSERVATION AND ANALYSIS WHEN YOU FIND THAT ANYTHING AGREES WITH REASON AND IS CONDUCIVE TO THE GOOD AND BENEFIT OF ONE AND ALL THEN ACCEPT IT AND LIVE UPTO IT.

www.baduga.co

Nanjanadu

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KUMAR BELLIE [email id not made public] writes from his heart ;

Very sad to hear this news [of what happened  in Nanjanadu] in Badaga History. Go to other Badaga villages - there is big improvement. Unfortunately, Nanjanadu is still backward. These prople do not want to comeup from their level.We do not have time to think. Everybody need money, money and money for the present. Those who are fighting in Nanjanadu like animals are not REAL BADAGAS.I want to appeal to them seriously. As per Court Orders, [Ooty] Mariamman temple poojari can advise them how to perform pooja. so, the [hatti] people are ready to listen to an 'outsider' but not ready to listen and come to an understanding with others in the village who have been living there for decades.

There was a time when Badagas would form groups to fight. But nowadays, there is no time to think even about our own lives.But, to perform pooja and for that to fight and kill is very shameful.When will these people grow up? They do not want to listen to any advice given by anybody. There are some 20 odd uneducated people behaving like goondas.For their illegal activities inside the village, nobody can ask them. If anybody does, he is attacked. These 20 odd people must be strictly handled and made aware of what is life. And then, rest will come/take their way. I am so sad about the killing of the two who were like my brothers. May their souls rest in peace.

I am ashamed to say that I am a Badaga after this incident [of killing]. But, I pray sincerely. People of Nanjanadu, please come up; life is different. Show you are all united. I worry about all those 'minority' people who have not returned back to theie homes. Understand and act accordingly. I again request the people [to shun violence] ; what ever has happened , has happened. Let us ensure that nothing [ of this nature] will happen in future. In the world map, Badaga is a very small community but we have very appreciable [traditions and] habbits that should not be destroyed. Is there anybody who can make the Nanjanadu people aware about where the Badaga life is leading by this sort of incidents??
Wg Cdr JP adds :-

Part of judgement of the Honourable High Court of Madras dated 29.06.2011 in A.S.No.1268 of 2003 reads:[para] 21.During the year 1987, the temple....was constructed by the entire village by contributing money, men power and by getting contribution from the public of entire Nilgiris District....Temple kumbabiskam was performed on 11.11.1987 by the general public of Nanjanadu village and persons have been appointed to perform poojas at the temple one from [each] side..During 1988..the Plaintiffs along with 'A' party people created problems and made the temple to be closed for nearly 7 to 8 years. During this period, Panchayats have been held and in every Panchyat having agreed and accepted to perform poojas by representatives of both parties and signed the memorandum of agreements, the Plaintiffs have gone back from the agreement and created problems because of the only reason that they have men and money power.

[para]133.Finally the two party people have the right to perform poojas ...daily in the morning ..and in the evening.

“Bravo, Rajamma of Kethorai”

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More thoughts on “Bravo, Rajamma of Kethorai”

[see the original post - Bravo, Rajamma of Kethorai  here - > http://badaga.wordpress.com/2010/09/23/bravo-rajamma-of-kethorai/#comment-14214]

D.SENDHIL VIGNESHWAR . said on 11/08/2012

Hello maam/maa… I am proud to be your student.. the days when I was put up in a school where no one ever knows my language all I found was Hindi Hindi and Hindi.. You came IN to save me and help me.. now I stand still with my head held high, in MUMBAI.. managing with the Hindi that you first taught me..Proud to be your student maam
and Rajamma, who has made all of us proud replies :
Dear JP,
Nice to read your reply and the comment posted by my student. Teaching is not my job , it is my passion. 32 years in the same line, handled thousands of students. As an inspiring teacher, filled with empathy towards the underprivileged and the so called back benchers, I had stolen their hearts. I hold my head high and make my students too. Senthil is a sample.
All these years, never I have called any student nalayak/stupid/ incapable/ idiot… and on adjectives used towards slow learners.Never will I call also. It is nothing but empathy…IN God’s creation every child is unique , original and has some talent or the other.
It is the duty of the teacher to identify it and groom the child. ” A child’s mind is not a vessel to be filled,It is a lamp to be ignited.” Each child is master piece and the Master’s piece. I respect them and love them irrespective of their background, caste, creed and capability.  Jai Ho.

With regards,
rajma.
Rajamma, your reply makes us “DOUBLY PROUD OF YOU. BRAVO” – Wg Cdr JP
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